Eugene Field, who will be
remembered for such children’s classics as “Little Boy Blue,” “Wynken, Blynken,
and Nod,” “The Sugar-Plum Tree,” and “The Gingham Dog and the Calico Cat,” was
described in his obituary as “tall and slender, blonde, impulsive, cheerful,
fond of genial companions, devoted to his family, a scholar among scholars, and
a child among children.” He was an avid doll collector and an irrepressible
prankster who loved dressing in outlandish costumes and making faces at small
children when no one was looking. He may also have had a streak of latent
pedophilia, evidenced by privately issued bits of erotica, including “Only A
Boy,” a prose piece in which a twelve-year-old lad is seduced with graphic
detail by a woman in her thirties.
This complex “Poet of
Childhood,” as he became known, was born in 1850 in St. Louis and always
claimed two birth dates—September 2 and 3—so that if friends forgot the first
one, they could remember him on the second. His father, Roswell, was the lawyer who unsuccessfully
represented fugitive slave Dred Scott in his quest for freedom. Eugene’s mother
died when he was six, and he and his younger brother were sent to school in
Amherst, Massachusetts. He entered Williams College, which he left after eight
months, then enrolled at Knox College in Galesburg, Illinois, where he lasted a
year, and finally wound up at the University of Missouri. A fellow student described
him as “an inattentive, indifferent student, making poor progress in the
studies of the course—a genial, sportive, song-singing, fun-making companion.”
Needless to say, Field’s abundant conviviality and penchant for pranks resulted
in his early departure from Missouri without a degree.
In 1872 he inherited
$8,000 from his father’s estate (the equivalent of about $160,000 today), and
he took off for Europe, where he spent almost a year touring England, France,
Germany, and Italy, purchasing loads of curios and having a splendid time. He
returned to St. Louis, broke and desperately in need of income. In short order
he found both a job, as a newspaperman on the St. Louis Journal, and a wife, Julia Sutherland Comstock, with whom
he had eight children, three of whom died in childhood.
One of Field’s colleagues
observed that he was not much of a success as a reporter, “for his fancy was
more active than his legs and he was irresistibly disposed to save the latter
at the expense of the former.” Among his journalistic duties was theatre
criticism, and Field is still remembered for a review of the actor Creston
Clarke as King Lear in which he wrote, “Mr. Clarke played the King all evening
as though under constant fear that someone else was about to play the Ace.”
Despite his perceived
laziness, Field’s journalistic career prospered. He soon became managing editor
of the Kansas City Times, and then
was lured to the Denver Tribune, and
finally to the Chicago Daily News,
where he had a deal that, according to the New
York Times, allowed him to write “when, upon what subject, and at such
length as he chose.” His column, “Sharps and Flats,” became a popular satirical
critique of Chicago society. Field
also began to write sentimental stories and verse for and about children, on
which his fame now rests.
A popular lecturer, he was
planning to go to Kansas City for a reading of his works on Monday, November 4,
1895. On the previous Saturday, he
felt ill with headache and stomach distress, and he remained in bed all day. A
doctor was summoned and found he had a slight fever, but thought little of it.
Field did not feel much better on Sunday, although he cheerfully entertained
several visitors, one of whom he told, “It is a lovely day, but this is the
season of the year when things die, and this fine weather may mean death to a
thousand people. We may hear of many deaths tomorrow.” Field retired and slept soundly until
dawn, in the room he shared with one of his sons. At about 5:00 a.m., his son
heard him groan, put out his hand to check on him, and found him dead, of an
apparent massive heart attack. Field was forty-five years old.
At his funeral in
Chicago’s Fourth Presbyterian Church, the Reverend Frank Bristol described
Field’s religious views this way: “I have said of my dear friend that he had a
creed. His creed was love. He belonged to a church—the church of the common
brotherhood of man….Ever was he putting into his verses those ideas of the
living God, the blessed Christ, the ministering angels of immortal love, the
happiness of heaven.” Field was buried at Graceland Cemetery, but was
reinterred in 1926 by his son-in-law at the Church of the Holy Comforter in
Kenilworth, Illinois.
Love this. Just discovering Field now. Glad to find your sensitive treatment.
ReplyDeleteI was just wondering if the work ONLY A BOY is a story if Field's own experience as a child and not latent pedophilia. I haven't read the piece however.
ReplyDelete