French symbolist poet
Stéphane Mallarmé claimed he had no biography—writing to his fellow poet Paul
Verlaine in response to a request for a headnote in an edition of his poems, he
replied, “My life is devoid of anecdote.”
Born in Paris March 18,
1842, to a middle-class family, he was raised by his maternal grandparents
after his mother died when he was five. He was educated in a series of boarding
schools, where he abandoned his Catholic faith at an early age. Although he was
christened Étienne, he preferred to style himself Stéphane, which is an older
French form of Stephen.
Mallarmé took a government
job and a mistress, a German governess named Marina Christina Gerhard. In 1862
the pair ran off to London and married.
Returning to France, Mallarmé accepted a post teaching English in a
secondary school, and his professional career consisted of a series of such
jobs, first in the provinces and finally in Paris. He also began turning out a
body of fairly unremarkable poetry, much of it derived from the works of
Charles Baudelaire.
Amid the whirl of Paris
literati, Mallarmé presided over a salon, which attracted celebrated authors
and artists—including W. B. Yeats, Oscar Wilde, Rainer Maria Rilke, Paul
Valéry, Paul Verlaine, André Gide, Claude Monet, Edgar Degas, Pierre-Auguste
Renoir, James McNeil Whistler, and Auguste Rodin. Quite a crowd! They meet on
Tuesdays and came to be known as Les Mardistes,
from the French mardi.
Mallarmé also became more
experimental with his poetry and in 1876 published the finished version of
“L’après-midi d’un faune,” a landmark of Symbolist poetry, and the inspiration
for Claude Debussy’s Prelude à
l’après-midi d’un faune and ballets by Nijinsky, Jerome Robbins, and
others. It recounts the experiences of a faun who wakes from his afternoon
sleep and has sensual encounters with several nymphs. For the last fifteen
years of his life Mallarmé was a well-known and influential figure in French
literature.
On September 9, 1898, at
his home in Valvins, a village northeast of Paris, now known as
Vulains-sur-Seine, Mallarmé had a sudden series of throat spasms. In these
laryngeal spasms the vocal cords abruptly close when taking in a breath,
blocking the flow of air into the lungs. They can be triggered by a variety of
causes—allergy, asthma, exercise, irritants such as smoke or dust, stress, or
acid reflux disease. In any event, Mallarmé was unable to breathe and died of
suffocation at the age of fifty-six.
He was buried in the
nearby Samoreau Cemetery, and the eulogist was his friend and fellow poet
Valéry. In an eerie echo of Mallarmé’s cause of death, Valéry found his words
stuck in his throat and he was temporarily unable to speak.
Couple of thoughts: 1. Mallarme's early poetry was actually pretty damn good. 2ndly, your summary of the Afternoon of a Faun is simplistic, and actually wrong. The poem is a masterpiece of ambiguity: did the faun sleep with the two nymphs in his dream. Did I love a dream? or was the experience real? The poem doesn't answer but gives branching hints of both potentials.
ReplyDeleteCouple of thoughts: 1. Mallarme's early poetry was actually pretty damn good. 2ndly, your summary of the Afternoon of a Faun is simplistic, and actually wrong. The poem is a masterpiece of ambiguity: did the faun sleep with the two nymphs in his dream. Did I love a dream? or was the experience real? The poem doesn't answer but gives branching hints of both potentials.
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